RP4: Tense Matters

"Although critical theory has focused much attention on the role of frontiers and Manifest Destiny in the creation and rise of U.S. empire, American Indians and other indigenous peoples have often been evoked in such theorizations as past tense presences. Indians are typically spectral, implied and felt, but remain as lamentable casualties of national progress who haunt the United States on the cusp of empire and are destined to disappear with the frontier itself. Or American Indians are rendered as melancholic citizens dissatisfied with the conditions of inclusion" (Byrd xx).

I’ve been thinking about this quote a lot this week—especially in conjunction with what Dr. Gómez asked us to talk about on Tuesday: How might the terms of the current academic and political debates change  if the responsibilities of the very real, lived conditions of colonialism was prioritized? To help me think about this question, I had to think about the ways in which the real and lived conditions of colonialism are not prioritized—a clear, succinct, direct idea was necessary, not just rhetorical and broad statements of frustration. This idea was well described in the quote above.  The lived conditions of colonialism have been so pushed aside, not prioritized, that the groups who have lived and live in those conditions are evoked in the past tense and as “lamentable casualties of national progress.” The most common reference to indigenous communities is though stereotype—specifically a historical stereotype: The ‘Noble Savage” with long dark hair, acting as one with the universe, the image of the stoic yet dangerous man wearing little clothing, a feathered headdress , and war paint. These are dominant images of a group of people lumped into the easy title of Native Americans. These images are everywhere from advertisement to children’s entertainment.

The popular Disney movie, Peter Pan, begins in the orderly, civilized, real world that seems to include only wealthy white people. It then moves into a fantasy world that includes boys who have no parents, pirates, and Indians who sing “What makes the Red man Red.” The characters enjoy their stay in this fantasy world, but in the end, the children have to return to the real world…where apparently these groups don’t exist? No, actually orphans, piracy, and Indians do exist in the real world—they simply do not have the same levity as portrayed in Peter Pan’s Neverland. The simplification of what is means to be Indian, both in the film and in the broader portrayal of Indians, is firmly placed in a historical stereotype and as a past tense presence. It relies on the already-stereotypical and simplifying image of how Europeans viewed Indians when white man first “discovered” the Americas. It does not recognize the current presence of indigenous communities and how they might be different from that historical image. It does not acknowledge the history of genocide and imperialism of indigenous communities and how that might have forced them to change and adapt in order to survive.

Maintaining a single narrative and image that originated six hundred years ago removes the effects of colonialism on this country and the people who have lived here and been subjected to this coloniality. What does recognizing this lived condition look like? Because for me, before I can think about what effects that might have on academia and politics, I need to think about what form prioritizing the lived conditions of colonialism would take. I think it would take changing norms; it would take changing what we see as standard and normal for “Indian.” The best way to do this is through art and media. Change the way we talk about Indian-ness and the way indigenous people are portrayed and talked about. Distinguish between different groups, recognize the land we stand on, strive to understand the current condition of colonialism rather than naming it as past lamentable casualties. Stop talking about people in the past tense when they are here. Speak in present tense.